Tragedy involves the downfall of a hero as a result of his tragic flaw Essay

It is non simply the existence of a sad flaw that is the sole causation of the decease of the champ and other significant char minuteers entirely rather the interplay surrounded by the negative externalities and the heros actions as a answer of his tragical flaws which does so. In Shakespeares Elizabethan catastrophe Othello, Othellos hamartia arises from a magnified sense of jealousy, hubris and place assertion brought ab stunned directly by Iagos diabolical intellect and a increment sense of insecurity. It is these uncontroll adequate factors in club with Othellos tragic flaws that assist in his collapse from respected general to deluded murderer.The mazy interactions between the protagonists of the play as surface as strong characterisation permit in for the emergence of cardinal of Othellos deadly flaws, pose avow. The Machiavellian character of Iago perpetuates the tragedy of the play by provoking hamartia within Othello. As soon as the play commences dramat ic irony allows us to realise that Othello has labelled Iago, whom we k instantaneously to be Janus-faced and deceptive, I am not what I am, as a reality of exceeding honesty.The aeonian declarations of Iago that he hates the moor are lay with the repeated description of an honest Iago in order to build up empathy for Othello. Iagos ability to acquit advantage of citizenrys flaws and situations when they arise also allows him to prepare Othellos, free and open nature finished the pouring pestilence into the ear of the bind off and reserve evidence finished and through the planting of Desdemonas handkerchief , a symbol of the kip d possess between Othello and Desdemona, in Cassios digs. His use of innuendo, note if your lady contour his entertainmentmuch will be seen in that and unintellectual imagery and similes, were they as prime as goats, as het up as monkey enrage Othello and prodding him to condemn Desdemona as a fairish devil. Iagos deceitful wideness nevert heless leads Othello, a credulous cod, to accept his lies astir(predicate) Cassios dream, where Cassio sighs lovely Desdemona, let us be wary, let us hide our loves, as a foregone conclusion.The unbiased references to Cassio as suitor by Desdemona in unification with Cassios waking-hearted references to Desdemona as divine Desdemona and a maid that paragons description and wild fame further aid Iago in both harming Othellos trust and eliminating it from his loved ones. Iagos strong characterisation acts as a foil to the main protagonists in Othello and in conjunction with dramatic irony and bestial imagery serves in bringing out Othellos tragic flaw of misplaced trust.The increasing insecurity of Othello, arising from a unvarying need to assimilate into Venetian ending and fight the label of Outsider, weakens his trust in Desdemona and consequently allows for jealousy to take over. Othello, set in 15th carbon Venice, reflects the disparaging perspective of Italians to those of sub-Saharan ethnicity. disrespect proving himself a brave and valiant warrior who is more(prenominal) fair than black, Othello is never referred to by name instead derogatorily labelled the Moor, thicklips and black ram, the use of living creature imagery degrades Othellos status and right off sets him apart as The Outsider. Iago, in a bid to serve his dig upon Othello, pours pestilence into Othellos ear remarking that Desdemona jilted many proposed matches of her own clime, complexion and full point in choosing Othello.The subtle reminders of Iago roughly his ethnicity receive Othello to turn against his gut instincts, she had eyes and chose and wrong believe that Desdemona with Cassio hath the act of shame a thousand times committed. The exaggeration accentuates Othellos misapprehension in his dubious rage. His delusion furthermore acts as dissect through which first self-depreciation her name is now black and begrimed as my own face then jealousy, that green -eyed freak which doth mock the meat it feeds on arises. The illustration of a green-eyed monster is given(p) in foreshadowing and presenting to the responders the inner fervor and eventual monstrous transformation Othello undergoes. unable to satisfy the lewd minx whom Othello believes the young, Italian Cassio has toppd, his jealousy drives him to want to soak her all to piece, reflecting the monstrous produce of a new Othello. Thus were it not for the seeds of insecurity already planted in Othellos mind Othellos jealousy, one of his tragic flaws, could have been avoided. It is the self-perpetuating nature of insecurity that ultimately brings about Othellos tragic flaw and subsequently his downfall.Othellos affixation to his warrior values and accepted gender social occasion is the main catalyst for his last tragic flaw, hubris. Othellos solid ground as a brave and valiant soldier see through numerous battles, sieges and dangers instil in him values of courage, pride an d insensitivity towards death. It is this background which also sees him more familiar with actions than words. At his return to Cyprus he cannot speak abounding of this content but can act and promptly kisses her there, thus Othello is the foil to Iago, whos cunning with words ignite the ardor of Othellos pride and unleashes waked wrath. Iagos knowledge of the nature of gender is revealed through his quote, Good name in man and woman, dear my lord, is the immediate jewel of their souls and it is through Iagos intimate knowledge of the immenseness Othello places on gender roles in assisting him in his assimilation into Venetian society, that he is able to inspire monstrous hubris within Othello.By insinuating Desdemona as a whore and hack, Iago is able to incite Othello into murdering Desdemona, If I wipe out thee..I can again thy former light restore thus bringing about catharsis and the downfall of Othello. Thus Othellos last fatal flaw, hubris, a last of his soldier ethos c auses him to believe that honour whitethorn only be restored through the discipline of gender roles and in doing so brings about his downfall.It can therefore be cogitate that although the tragic flaw plays a prominent part in the inciting of the heros tragic flaws, it is the interaction between the context, characters and the heros actions which ultimately brings about his demise. In Othello the foil of Iago in conjunction with the innocent nuances of other characters, dramatic irony and Othellos insecurity which gives rise to his fatal flaws of jealousy, misplaced trust and hubris and it is only through the interplay between elements that catharsis and agnorisus can occur.