Seeking Truth in A Dolls House :: A Dolls House Essays

Seeking Truth in A Dolls House.   The characters, in Henrik Ibsens A Dolls House, are hiding from each other and seeking the loyalty just about each other and about life.  The game of hide and seek that Nora plays with her children, she similarly plays with her husband.  She hides her actions and her true personality from him.  He overly hides his life from her.  Thinking that she would neer even understand, he keeps all the business of their relationship secret from her.  Although Nora hides from her husband, she also plays the role of seeker.  Nora wants to seek out the truth of her life.  Much of the play is a game of hide and seek. Excellent.        Nora plays a game of hide and seek(Ibsen 506)* with her children. The impartial game can be seen also as a symbolization of real life in the play.  Nora is playing hide and seek with the adults in her life. Nora is trying to keep something aside from public knowledge and especially away from her husband.  She hides the fact that she scoop outed money to save his health.  She was afraid that if Torvald knew that she had taken initiative to borrow money to help him that it would be painful and humiliating(Ibsen 501) for him.  She knows that Torvald needs to timbre in control of everything.  So she hides her actions from him.        Nora hides the fact that she has done something illegal from Torvald.  She is tending(p) the opportunity to tell Torvald and maybe get his support or fire on the situation, and she lies to him to hide the truth.  She claims that the reason that she does not want Torvald to fire Krogstad is that this root mate writes in the most scurrilous newspapers...he can do Torvald an unspeakable follow of harm(Ibsen 519).  Nora hides the truth and replaces it with lies.  Torvald does not know that if he fires Krogstad that the consequences will continue his whole family.  Nora could have told him, but instead she decided to hide the truth from her husband.        She also hides her own strength.  She plays the part that she has come accustomed to, being the doll.  The first time in the play that Torvald refers to Nora, he calls her a little dangerous undertaking(Ibsen 493).  Throughout the play, he refers to her as a cute little animal, never with any word that might imply a situation of his peer.